Developments is a slow paced online media offering in depth interviews with strategic minds amongst the independent creative talents, whether they are emerging or world famous. So far, we’ve interviewed the following talents:
Special Offer
OKOK Services
Giga
Porto Rocha
Modem
New Tendency
Mouthwash Studio
Studio Blanco
Benjamin Grillon
Rozana Montiel
Joris Poggioli
Formafantasma
Eike König
Ines Alpha
International Magic
Zak Kyes
Teruhiro Yanagihara
Ezequiel Pini
Clementine Berry
Jonghwan Baek
Dinamo
Ada Sokół
Marc Armand
Elizaveta Porodina
Random Studio
OK-RM
Tomorrow Bureau
Services Généraux
John Pawson
Golgotha
Brian Roettinger
Yorgo Tloupas
Mirko Borsche
Liza Enebeis
Scheltens & Abbenes
Jean-Baptiste Levée
Willo Perron
Stephanie D’heygere
and the following topics have been discussed:
References Development Strategy Advice Management Prospective Creativity Clients Process Prospection Communication Work culture Competition Design Presentation Agents Advertising Typography Architecture Investment Education Finance Trend Fashion Cgi Ai Recruitment Nft Graphic design Marketing Photography Research Blockchain Sustainability Crypto Technology Metaverse
If you want to be informed when a new interview is online, follow us on @developments.media
For any question or potential interview requests, write to info@developments.media
Developments was founded by Simon Descamps, Isabelle Moisy-Cobti, and Antoine Soubrier (pictured above, from left to right) who are the managing partners of Bildung.
Developments website has been designed by Bureau Antoine Roux and developed by Tristan Bagot.
© 2025 Developments
References Development Strategy Advice Management Prospective Creativity Clients Process Prospection Communication Work culture Competition Design Presentation Agents Advertising Typography Architecture Investment Education Finance Trend Fashion Cgi Ai Recruitment Nft Graphic design Marketing Photography Research Blockchain Sustainability Crypto Technology Metaverse
5 excerpts on the topic “Graphic design”
[…] My love for typography and the ability to showcase work through it really drove this. Typography needs something to say, and as someone who isn’t necessarily a writer, it’s easy to come up with quick phrases like “award-winning creative tech company”—which doesn’t mean anything but looks great in the typography I’m working with. I’m someone who will sacrifice the words for the type itself. I think I liked the way “award-winning” sat on top of “creative tech company”—it just worked together visually. […]
[…] As a designer, we are too often positioned under someone who holds the creative power, limiting you to a mere executor of ideas. In an ad agency, where design isn’t the protagonist, you’re seen as a tool—brought in to make things look good while creative directors and strategists shape the larger vision. I’ve always believed that as a designer, we are inherently strategic and we have more to offer than most care to recognize. […]
[…] Today, sites are just shells. What makes the identity of the site is the content: the artistic direction of the image or film on the homepage. But at the time, image was not as important; it was more the design of the site that conveyed an aesthetic. […]
[…] I know I’m good at certain things and suck at others. When you start out at school you get the impression that you’re going to have to know everything. But it’s not true: you don’t do everything well. There was also the idea that once you get out of school you’re a graphic designer, you can create models, etc. The profession has evolved a whole lot, and so have we. Now we do more art direction than graphic design. I like to do art direction and hire a good team of designers. […]
[…] As for graphics and typography, I have a deep fascination for Emigre Fonts and in the same vein, Jonathan Barnbrook, but also for Dutch, German, and Russian design, for Studio Dumbar, Cyan, and Ostengruppe… […]