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14 excerpts on the topic “Prospective”
OK-RM
[…] RM
we’re seeing a lot of positive progressive activity from younger makers (…) We have to change, adapt and develop, and this is the opportunity. I guess bigger, heavier entities will take a longer time to do that. Creative practitioners have always been agile, moving with the times, we call this the flow! In a sense we’ve always had to be reactive and agile. So, I don’t see any reason why that shouldn’t encourage positive creative activity. […]
OK-RM
[…] OK
There’s a lot of questioning going on of status quo at the moment, and that can only be a positive thing when it comes to the potential for creativity. That’s the most optimistic thing. There are a lot of fashion projects that are starting to do that, and also we see developments in the way architecture’s being practiced and questioned. Architecture in many ways got hijacked by property developers for so many years, but in many cases it’s really taking on a more cultural, social, political role now, at least in our viewpoint. And that also happens in fashion, and I think in art, too. It’s a fertile time I’d say […]
Services Généraux
[…] A
I get the impression that entrepreneurship is increasingly important; there’s also a kind of atomisation, since you’re contacted by smaller and smaller entities. The agency model seems to be disappearing. Brands and designers are more and more often in direct contact. Many studios have been set up, I don’t know if it’s a consequence of this. […]
Services Généraux
[…] A
Naturally I wonder about the end of it all. I say to myself that there’s going to come a time when the CGI aesthetic is going to level off. Soon the entire aesthetic we’re producing will become something future generations are going to wax nostalgic about, so I believe people are going to return to the roll of film and VHS. […]
Services Généraux
[…] A
I believe people are going to return to the roll of film and VHS. […]
Yorgo Tloupas
[…] It would appear that things are improving in terms of logo redesign. It’s a long‑haul battle. That’s the quixotic side: constantly combating windmills. While faced with the complete and utter disinterest of the public and business leaders. […]
Yorgo Tloupas
[…] Mathieu Lehanneur summed it up for me when he said he wanted to be an author rather than a service provider. […]
Yorgo Tloupas
[…] I’ve increasingly been wondering about the possibility of automation taking over my profession. I mean, nowadays someone talented enough might create an app, a system using the best layout table, best font associations, best balance… you press a button and it comes out. […]
Yorgo Tloupas
[…] How do we know that very soon somebody isn’t going to come up with an app that can take care of graphic design, even logos? (…) What I find rather reassuring is that you soon realise that designing a logo really isn’t that easy. I have a hard time imagining how automation could work. Certain projects necessitate hundreds of tests before I get it right, on paper and on the computer. […]
Mirko Borsche
[…] I don’t know how it is in France right now, but in Germany, so many people have lost their jobs in the creative business, so it’s really easy for clients to get them to do whatever they want. The problem is that the more people are out of work, the lower the prices get.
Let’s see how that develops, it’s such a weird phase. Even here in Munich, and even more in Paris, when that curfew stops and you can go out again, it’s going to be interesting to see how many agencies still exist, how many of your old bosses – the crappy ones – remain. My feeling is that all the people who went into it are going to be gone. I don’t know what this is going to mean for the whole industry. […]
Liza Enebeis
[…] with the studio in the last years, we focused more and more on motion. This didn’t happen accidentally, it’s something that we really looked into, something that we wanted. It felt comfortable in the development of our work but also, we felt that within design, it was the next step. If motion is the next step, then that means you need to make room for designers to learn more motion, or the next person you hire needs to have motion skills. […]
Jean-Baptiste Levée
[…] Every year for the past 15 years a good three dozen type designers have appeared on the scene fresh out of a training course in “type design.” Whereas before they had studied “graphic design and typography”. So you do see more typography in portfolios, on websites, in pitches. You see more typographical work overall, mostly in the media. I think this is a cyclical phenomenon. In fact the current wave might already be behind us. […]
Jean-Baptiste Levée
[…] I get the impression that something new is brewing.
It was easy to start an e-business and produce typography rather quickly. The reason why I think we have reached the end of a cycle is because I have yet to see anything new on the horizon. Something is going to happen; it just hasn’t happened yet. […]
Willo Perron
[…] You can do all this shit from a laptop and you can learn all the software. If you sit down, you can learn all of adobe suite in a few months. It’s not the medium that’s stopping people anymore. When I started graphic design, a scanner was cost prohibitive, a scanner cost $5000 when I started doing graphics. You’re going to see a generation of film makers slash graphic designers slash architects slash etc […]

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